A Woman’s Parliament
This mural depicts a historic scene which would occur in Canada between 1890 and 1914, where women would hold mock parliament sessions, reversing gender roles and dynamics.
Realism, sometimes called naturalism, is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative fiction and supernatural elements.
 
			This mural depicts a historic scene which would occur in Canada between 1890 and 1914, where women would hold mock parliament sessions, reversing gender roles and dynamics.
 
			Dreams are our exaggerated reality. Real-life is hard, but dreamscape is the ‘in-betweenness, a place where consciousness and subconsciousness co-exists and where we succumb to or conquer our inhibitions, basically decide our truths.
 
			This mural commemorates Winnipeg mayor Bill Norrie, who served from 1979-1992 and led many important projects for the city.
 
			This mural is meant to look back on a time where many families would live on the second level of the building within their own business. This is less common now due to the emergence of the suburbs, yet mixed use buildings are reappearing due to urban densities in certain areas.
 
			From 1908-1945, the Duncans Millinery and Dallian Hat Shop stood on Sargent Avenue in Winnipeg. This mural paints a scene of this hat shop, which displays hats from various regions and time periods. See muralsofwinnipeg.ca for a complete walk through of the hats in the mural.
 
			This mural was created as a part of West End Biz’s Mural Mentorship program. Led by UManitoba Fine Arts student Bryn Vargas, 165 youth participants from age 8-17 contributed to this mural.
 
			This three panel mural represents the variety of cuisines and cultures found in the West End. It depicts a fictional international café, where various people of all ages enjoying food from around the world.
 
			Mural of a multi-coloured lion located on a Winnipeg convenience store.
 
			The mural depicts an impala in large format with the worlds “sea power” and “natural laws” framing the creature.
 
			This mural is painted on the International Union of Painters and Allied Trades, District Council 17 Office. It depicts a scene of various workers on platforms and scissor lifts, painting the building.
 
			Winner of Mural of the Year 2016, this mural depicts a woman mending a ripped heart with thread. It represents the unity of First Nations peoples, from the South to the North. The muskox on her hat relate to how these animals protect their young from predators. The vamps on her poncho are symbols for the missing and murdered Indigenous women in Canada, and it highlights the severity of this issue in this particular area of Winnipeg. The act of heart mending occurs every day, in various ways whether it be physical or spiritual, we are all on a process of healing.
 
			Mural of a lion painted on the back of the Fleet Galleries building. Signed in white by Cash Akoza.
 
			Located on the Main Street Project building, this mural was painted in recognition of the first National Truth & Reconnciliation Day. Bright orange ribbons stretch across this mural honouring those we lost, and eagle figures represent the act of taking their spirits to peace. The turtle (miskwaadesi) is seen in between the ribbons represents the bringing of truth. To the left of the scene is a mother and child, highlighting the importance of a mothers’ protection, prayers and leadership for our children. The white outline represent the guidance of The Great Spirit. This mural acts as a reminder for us to recognize the tragedy of residential schools, missing children, survivors and the families affected.
 
			Mural by Trevor Goodwin for the Junction area, date completed unknown.
 
			The Mural named ‘Taking Flight’ is designed specifically for the Sherbrook Street community and Epic Information Solutions. This design showcases symbols of key subjects and phrases that have been brought to my attention by C.E.O., David Reid at Epic. It also depicts the vision I want to convey as an artist and a resident of the community of West Broadway, to bring empowerment and vitality to the area.
 
			“The design shows a young girl observing the creative hustle of two older people. The concept shows how the creative sparks of older people can inspire the minds of youth who will eventually grow into the people they once idolized” (August 2022)
 
			Driving north on Sherbrook over the river, past Misericordia Hospital at the first lights you will see the Nook Diner to your right, a restaurant that has been there for years. This popular breakfast stop is a long standing Winnipeg tradition. It has been a great place to get breakfast, lunch or supper and it has been the resting place for many tired nurses, students, patients, or just about anyone seeking a good meal.
 
			Part of 2023 BUMP GRAFFITI JAM
 
			This mural, depicting a black-indigenous woman, addresses Canada’s history of erasure Black & Indigenous stories and culture. The woman is seen smoking a cigarette in front of a natural landscape with birds above her head. She wears a garment with details of maple leaves on it. The yellow circles inside white squares is a symbol that was created by the artist and represents unity, but also the feeling of being stuck, spinning, and being controlled and blind.
 
			Part of YYC BUMP GRAFFITI JAM.
 
			Part of 2022 BUMP GRAFFITI JAM.
 
			I’ve been feeling a connection to the Raven Animal Totem for a while now and this spot finally felt like the perfect place to paint it.
I was stoked to meet multiple people with personal connections, stories and tattoos of this beautiful animal. Hearing their tales and appreciation for the Raven was magical and made depicting this large symbol of the Death / Rebirth cycle especially memorable for me
 
			In my design, I create the illusion of an oasis within an urban location. I wanted to commemorate the curious and serendipitous connections made in places of importance which are often overlooked. I chose to reference The Mojave Phone Booth, commenting on liminality and mirroring the history of 11th Ave in many ways.
 
			Exploring the shared iconographic relationships and cultural usage of Buffalo, Deer and Elk hide in First Nation cultural storytelling in addition to the Romanticised ‘Western’ Aesthetic of North America.
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