Asian Pheonix & Indian Peafowl
Bell Box murals project for Scarborough
Aerosol painting is one form of spray painting; it leaves a smooth, even coat, unlike many traditional rolled and brushed paints. Graffiti artists are known to use spray paint because the medium is quick, permanent, and portable.
Bell Box murals project for Scarborough
Lansdowne Underpass, Toronto
Organizer: Women Paint, Arts Etobicoke
Sponsers: StreetARToronto, Steps Public Art
Measurements: 12’x12’
Organizer: Riverside WomenPaint, East End Arts
Measurements: 24’x14’
Organizer: Oakwood village BIA
Sponsored by: Mural Routes, Steps Public Art
Measurements: 22’x54’
Theme: A Common Thread
The mural, painted using spray paints, depicts a lone tree growing from the rocks, against a sunset background. The home owner had seen and admired my mural in the Euclid Ave. laneway the previous year. He wanted a northern Ontario scene painted on his garage door, as a surprise birthday present to his wife. Private commission.
In partnership with Telus Painting the Pembina 2.0 was launched. Same as in 2020, each business or person that donated over $20 has their name on a plaque. This time we raised an extra $1300 for each of the 3 Pembina Schools for their Arts Program. The mural itself is an acronym – Each letter contains pieces of the town as it is or historically that correlates with the letter. The humming bird represents Telus, and the snail shows a slower pace of life. The letters were brush painting, the critters aerosols. Again I am honored to have such a supportive community that helps me realize these projects.
A little know fact about bison is that when a thunderstorm is coming they will turn towards the storm, walk into it and thus have to bear the brunt of the storm in a shorter time. They face adversity head on and pull together. I love this metaphor and used it in a way to represent the spirit of the town. In the ‘storm’ design are hundreds of little fingerprints from local children and supporters.
‘Perpetual Freedom’ is my contribution to the large-scale mural project entitled “A Future Without Oppression”. My mural – is alongside several murals by femme artists which span Baldwin Street in its entirety. Thank you to Serena Purdy, Curtia Wright & Jai Smith as well as @start_streetarttoronto and Friends of Kensington Market for facilitating, organizing and reaching out to me to partake in this wonderful event. I’m happy to have been a part of beautifying a lively community like Kensington Market!!!
These artworks share first person perspective stories that speak to the rich ongoing history of the site as home to many diverse plant and animal species and cultural communities, beginning with the Indigenous peoples of Tkaronto and Turtle Island. The Lansdowne Underpass Art Project creates a collaborative artwork that honours this site by telling stories of those who have and continue to live on, play on, build community on, struggle on, learn from, grow in, paint, immigrate to, contribute to, and tend to this land.
Painted as part of Wallnoize 2020, which had the theme of water.
The “Painting the Pembina” Project was directed, crowd-funded and painted by visual artist Brie Adkins in 2019-2020 on the historic J.D. Read building. Painting the Pembina called on the community to support the project through ‘purchasing’ bricks, and those funds went towards the mural expenses, the plaque and the three Pembina Schools for their art programs. Businesses, families and individuals came together to raise $8080 for this community project. The schools in turn each received 1500 in funds for their arts programs.
Street Art Toronto
Concrete Barrier Art Project, Richmond Cycle track
Richmond St., Toronto
May 2021
Discover this spectacular 4400 square foot mural downtown on the alleyway walls between Talbot Street and the Moore Street parking lot. On the east wall, the orange and red colours feel hot, like sunrise into midday; on the west wall, the green and blue shades feel cool, comparable to late afternoon and sunset. The mechanical and digital forms that tower over the trees on both sides of the alley indicate human intervention into the natural environment, almost akin to alien spaceships.
MEDIAH’s bold and intricate linework represents two of St.Thomas’ landmarks. First, the lines represent the intersection of two historical roads which created St.Thomas’ location. Second, they represent the railway junctions and railway tracks that were built in the late 19th and early 20th century that ‘The Railway City’ is renowned for. The modern urban aesthetic of the artwork represents a progressive future as St. Thomas rebrands itself with a new identity that represents the City’s commitment to a progressive future for citizens and businesses alike.
The piece entitled ‘SUBSTRAIT’ is inspired by the famous St.Thomas railway system and the town’s industrial progression. This piece is meant to bridge the gap between the town’s past and innovative future and to uplift and inspire residents of all generations.
This is a heartfelt tribute to growing up in the small city of St. Thomas, complete with Joe Thornton & Rachel McAdams, Thomas the Tank Engine with a Jumbo trunk, the City of St. Thomas Police badge & some fun pop culture references that make the whole thing a celebration of all the ‘Strange Adventures’ only possible in the Railway City!
Located at the home of the Ignite Teen Centre and Steam Education Centre, Protocol IK is meant to excite the youth that visit the centre.
Protocol IK speaks to our digital future, and how youth are working to navigate that frenetic landscape.
Murals tend to show a town’s flair for the arts and culture in the area. It is a great opportunity to put forth street-side imagery that the community can enjoy but also reflect upon as to what it says about not only the artists living within the community but also their experience. Jac wanted to bring the idea of “Many Faces” to showcase an intricate expression of the area.
This boxcar mural is based on the continuous line drawing style Grayden Laing developed after moving back to St. Thomas from Toronto. The reference material he used for the artwork was from a photoshoot he did with dancers from Step Above Dance in St. Thomas, as well as from a video filmed to be used for the next RotoJam.
Completed August 2020, this “street art” mural was painted by local artists Marshall Borland (Bishops Falls) and Melissa Francis(Gander) for the Botwood Mural Arts Society with the support of the Town of Botwood. The mural expresses the community’s extreme gratitude to all the essential workers and businesses that continued to work and operate to ensure that the residents of Botwood and surrounding area had access to essential food and supplies, personal services, health services and emergency services during the Covid -19 Pandemic. These essential workers and businesses risked their own lives and livelihoods to ensure the safety and security of others. They are our “angels” deserving of their “halos”. This large mural was completed outside, which allowed for the required physical distancing. It brought some bright, uplifting color and joy to our community during an otherwise dark and anxious period of time.
Typical to my artistic style, this mural makes use of dynamic imagery, vibrant colours and movement. The background is an aerial map of the Danforth, allowing viewers to recognize their local neighbourhood, and the spots of their favourite patio where friends gather, the street they live on, their favourite local shop, and so on. In the foreground are dynamic, larger than life scaled paintings, which represent local pedestrians in the area, shopping, cycling, walking or playing. There are also some chalk drawing artworks, meant to represent positivity and courage during the pandemic.
Artist: Monica Wickeler
Native flowers provide much needed food for Toronto’s pollinators, like these different species of native bees and butterflies.
Painted in 2019 by: Nick Sweetman, and funded by Street Art Toronto’s Partnership Program, with support from David Suzuki Foundation and Dallington Public School.
Assisted by: Menelik Powell, Meg Oldhues, Omen, Christina Mazzulla and Phil Saunders. Special thanks to Dulux Paint.
The mural depicts two scenes: On the right is a scene from 1955 in Mississippi where Emmett Till’s mother, Mamie Till, is burying her murdered son. His killers were found not guilty after tampering by local law enforcement. On the left is Breonna Taylor’s apartment, where she was killed while sleeping by police officers in Louisville, Kentucky in 2020 – officers who faced no prosecution for her senseless death. However, thanks to the words and actions of Mamie Till, her son’s death led to public outcry and significant change. Breonna’s mother Tamika Palmer has been on the frontlines of the Black Lives Matter protests that exploded all over the US and the world in 2020. Both of these events highlight what James Baldwin meant when he said “Ignorance allied with power is the most ferocious enemy justice can have.”
Painted in 2020 by Elicser, Nick Sweetman, Sight and Spy1
Funded in part by Street Art Toronto.
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