N/A
On FOUR20 Inglewood side wall.
Pattern in art is made by repeating or echoing the visual elements of an artwork.
On FOUR20 Inglewood side wall.
This mural was painted by Gibril Bangura, who is an artist from Sierra Leone, who now lives in Edmonton Alberta. His work is full of bright colours, in which Bangura states that colour is a language that has no barriers and unifies the universe.
Mural located on Good Neighbour Brewing Co., painted by Fresh Canvas Art Co., an art duo from Edmonton.
These three bright ‘graffiti tags’ were commissioned to liven up the side the Gummi Boutique building and alley.
The concept for Claire Coutts’ portion of the utility box project was in collaboration with Sylvia Arthur. While researching, discussing with people in the area and loitering by our location, Sylvia and Claire noticed similar things. The area has a lot of pedestrian foot traffic, but few people who aren’t in transit to somewhere else. Claire began to think about the contrast of public and private for residents in a downtown setting. She created these linocuts of hands involved in domestic activity in contrast to Sylvia Arthurs imagery of industrial cranes skyline buildings, bridging the gap between the visible and invisible in an urban setting.
This work creates a bridge between my identity as a Metis woman and these waterways, with the intent to recognize both the beauty of the rivers and the importance of these water systems for Indigenous people of our region.
This mural is based from a drawing made this past winter. In previous murals we have has a more “freestyle” approach to painting walls, so it was a development in our process to have a map to guide our composition on this long, large wall.
I’ve been feeling a connection to the Raven Animal Totem for a while now and this spot finally felt like the perfect place to paint it.
I was stoked to meet multiple people with personal connections, stories and tattoos of this beautiful animal. Hearing their tales and appreciation for the Raven was magical and made depicting this large symbol of the Death / Rebirth cycle especially memorable for me
This piece was created to reflect the emergence of a new generation of Métis and Métis artists reconnecting with their culture, homelands, medicines, and Kin. Riel is often referenced and quoted when it comes to the emergence and depiction of our people. In this mural I wanted to reference my Cousin Valarie Campbell as a young matriarch.
Part of YYC BUMP (Beltline Urban Murals Project)
When painting this piece, she chose shapes, patterns and colours that integrated well with the wall’s architecture. The mural represents going outside your boundaries, which is why she painted literal boundaries here with the map of the Beltline, mountains and rivers. There are also five bike patterns painted into the mountains — the bike, handle bars, the seat, chain wheel and pedals. She recommends taking a photo from across the street to capture the entire mural, but then getting up close to look at the graphic patterns.
The Buffalo with the Camp and simple landscape represents all the Buffalo Nations that hunted and lived off the Buffalo. The dragonflies represents the month
of August and also I wanted to tie the Beltline mural project with it…. during August and late July the dragonflies are in full effect and is good to help time the
changes in the seasons. Under them are traditional otter designs which are common design in Treaty7 territory. The riders are youth and elder riding together
representing parenting, mentoring, and the balance.
This mural was imagined during the lockdown because that’s when human activity slowed down and nature was able to catch its breath. I represented this return of nature to the city through these two goddesses.
Joint forces to create a massive mural on the west wall of the downtown Women In Need community centre.
Mural by Mesthree (@mes.three) of clouds for the 2022 KJ BIT Laneway jam.
Garage door mural by Francis Pratt (@francismakes) for the 2023 KJ BIT Laneway jam, with the theme “GLOW.” Supported by Canada Council for the Arts and the Toronto Arts Council.
Mural by Caylen Monroe for the 2023 KJ BIT Laneway jam, with the theme “GLOW.” Supported by Canada Council for the Arts and the Toronto Arts Council.
The concept of this mural is a narrative one. The front is inspired by talented craft artists that enrich our city – A display of vibrant art goods. The side is all about the process of making. And the back is my own interpretation of what ornamentation means to me. This mural is also my response to Loo’s essay (Ornament and Crime), and to practice the act of permanent ornamentation. I treated this mural like a tattoo – bringing bold colours and design to the skin of the building (my own tattoo also makes a vague cameo).
In partnership with the Grindstone Theatre
On garage of City Fit Shop
In partnership with the Grindstone Theatre
This large community mural is a tribute to friendship and community. It is a project of the Trinity Evangelical Lutheran Church in Old Strathcona of Edmonton at 10014 – 81 Avenue. The 24-meter-wide mural is composed of nearly 1000 individually painted tiles which were painted by about 400 people of all ages, all walks of life, church members and community members.
‘City Slickers’ refers to the feathered foe that lives among us. Edmonton known as Canada’s magpie capital.
Part of Rado Alley Mural Fest
Sign up for our newsletter to get the latest news and events delivered straight to your inbox.
I have read and agreed to the Privacy Policy and the Terms of Service.
I understand that I can unsubscribe at any time by clicking the unsubscribe link in the Mural Routes newsletter.