Mural Locations
La murale réalisée par Cécile Gariépy met en lumière le patrimoine sportif de la ville Mont-Royal. Elle est située sur le mur aveugle du club de curling de la ville. Il s’agit de notre troisième réalisation à ville Mont-Royal.
This mural by Cécile Gariépy celebrates the Town of Mount Royal’s sports heritage. It is located on a wall of the town’s curling club. It is MU’s third project with the Town of Mount Royal.
En 2018 et 2019, les Habitations Jeanne-Mance (HJM) entreprennent d’importants travaux de rénovation des stationnements. Ces travaux visent à renforcer l’engagement écologique des habitations en les dotant d’un second stationnement écologique permettant la récupération des eaux de pluie et la diminution des îlots de chaleur.
In 2018 and 2019, the Habitations Jeanne-Mance (HJM) parking lots underwent major renovations. These revitalization projects focused on strengthening HJM’s commitment to the environment through the creation of a second green parking lot that allows rainwater infiltration and reduces the urban heat island effect.
L’Arrondissement de Ville-Marie, centre-ville a fait appel à MU pour réaliser une murale historique au clos Bercy, une ancienne rotonde de la Montréal tramways co.
The Ville-Marie borough called upon MU to create a historical mural at clos Bercy, the former roundhouse of the Montreal Tramways Company.
Cette murale s’inscrit en continuité des démarches proposées par l’OPA (opération populaire d’aménagement) pour la reconversion du quartier. La murale viendra embellir l’environnement et ponctuer le paysage par de nouvelles couleurs.
The creation of Tropical represents the efforts made by the OPA (opération populaire d’aménagement) for the redevelopment of the neighbourhood and will revitalize the area by lending it new vivid colours.
Conçue par Meky Ottawa, une artiste Atikamekw de la relève, la murale célèbre l’engagement de Mme Obomsawin dans la défense des Premières Nations, et plus particulièrement des droits et de l’éducation des enfants autochtones.
Designed by emerging Atikamekw artist Meky Ottawa, the mural celebrates Ms. Obomsawin’s commitment to the defense of First Nations, and more specifically the rights and education of Aboriginal children.
Aless Mc s’est inspirée du fleuve qui borde l’arrondissement et de l’architecture des maisons ancestrales de ce plus vieux quartier de Montréal. La mémoire du lieu y est évoquée par l’utilisation du noir et blanc. Le tremble, l’arbre qui a donné son nom à l’arrondissement, rehausse le tout de ses couleurs vives.
Aless Mc was inspired by the river that borders the borough and the architecture of the historical homes built several generations ago. The sense of memory is evoked by the use of black and white paint. The aspen tree, or the french tremble that lent its name to the borough, enhances the mural with its vivid colours.
CASE a choisi de représenter la relation paradoxale qui lie l’humain à la nature en se focalisant, comme à son habitude, sur la main dont la gestuelle permet d’être comprise de tous-tes. En prenant pour modèle une personne locale, il ancre plus encore son œuvre sur le territoire dans lequel elle se trouve.
The artist CASE chose to represent the paradoxical relationship that binds humans to nature by drawing attention to an open hand, a familiar gesture that draws viewers forward. He used a local as a model for the work, thus anchoring the mural into a Montreal-specific context.
En 2018, c’est l’artiste de la relève Nikki Küntzle qui a relevé le défi en créant une murale aux couleurs lumineuses inspirée des jeux d’association.
In 2018, emerging artist Nikki Küntzle, took the torch by creating a brightly coloured mural inspired by association games.
Cette murale reconnaît la profonde influence de Daisy Peterson Sweeney dans la vie musicale montréalaise.
This mural recognizes Daisy Peterson Sweeney’s profound influence on Montreal’s musical life and quietly made a huge difference in the world.
Le langage formel de la murale s’inspire du paysage environnant, des formes géométriques caractéristiques du port, du pont Jacques-Cartier, et de l’architecture. Une sorte de triptyque en hommage à la ville qui toujours, se construit.
The formal elements of the mural were inspired by the local scenery, various geometric shapes found at the port, the Jacques-Cartier bridge and architecture. This triptych composition pays tribute to the city, which is constantly reinventing itself.
Réalisation d’une première murale par l’artiste québécoise Danaé Brissonnet où se retrouvent des notions comme la communauté, l’enfance, la nature, l’origine. Des thèmes qui sont ressortis des rencontres entre l’artiste et les résidents des habitations.
The mural was inspired by notions of community, childhood, nature and origins—themes that came up in meetings between the artist and André-Grasset residents.
La Société de verdissement du Montréal métropolitain (SOVERDI) a fait appel à MU pour réaliser une murale à l’école Lester B Pearson dans le cadre du projet de Revitalisation urbaine intégrée (RUI) du secteur est de Montréal-Nord.
The Société de verdissement du Montréal métropolitain (SOVERDI), an organization devoted to greening the Montreal metropolitan area, called upon MU to create a mural on Lester B. Pearson High School as part of Montréal-Nord’s integrated urban revitalization project (RUI).
Produced by MU, the mural Architecture scolaire was created by Roadsworth and painted with the collaboration of 20 students (secondary 3, 4 and 5), and Isabelle Duguay (art educator) and William Patrick (assistant muralist).
Ode to traditional school supplies, the artwork now indicated in a playful way the students entry to St.Laurent High School.
Pursuing the space exploration defining his work, Roadsworth used by the concrete architecture of the arch to create illusions with actual proportions but giant format supplies.
The mural is located on the northern retaining wall along Finch Ave W between Kipling Ave and Islington Ave.
This year’s murals will visually share authentic stories that celebrate building strength, connection and community through developing our relationship with the natural world.
[Excerpt from: https://www.womenpaint.org/2019]
Artist: Desire Betty
Womxn Paint, with support from StreetARToronto, hosted a second jam August 10th — 19th , 2018 in the laneway between 136 McCaul Street and 39 D’Arcy Street. A talented mix of 30 emerging and mid-career artists transformed 4,225+ sq.ft into murals responding to the theme “Uplifting Each Other”.
The design of this 650 square feet mural painted by Rafael Sottolichio evokes the human values that the Patro center itself conveys through its community involvement. It also celebrates the Patro’s 100th anniversary: “100 years in the hearts of the people”. The two silhouettes in the foreground represent the heart of the Patro: a couple, friends, family members, two people of different cultures or of different generations. All the figurative elements are taken from photographs belonging to the Patro archives. Inspired by his visits to the center, Rafael Sottolichio chose to juxtapose different styles by including graphic as well as black and white photographic elements obtained from the Patro archives.
Date: 1988
Artist: D. Dan
Date: 2015
Artists: Amber Santos & Wildflower School
On the gym wall of the Central School parking lot
Date: 2001
The Hall Street wall of Pharmasave
Artist: Brian McLachlan
Date: 2010
Location: Lions Park
Artist: Bryn Stevenson
Date: 2018
Artist: Matty Kakes
Artists: Coleman Webb, Adrian Thibault, Bryn Stevenson, Rhoneil Eurchuck, Sergio Santos, Amber Santos, Hannah De Boer, Matty Kakes, Alex Caulford, Olivia Mansveld, Danan Lake, Dagan Cairn, Anais Ferrier, Brandon Brown, Ezra Slade, Raven Truth.
Date: 2018
Artists: Isabelle Houde and Maëlle Nixon
Date: 2018
Artist: Matty Kakes
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