untethered
One of two murals on the Sutherland Hotel.
Mural Locations
One of two murals on the Sutherland Hotel.
This mural completely covers the outer surface of Sutherland Hotel.
Electrical box located in Winnipeg’s central park.
Mural of a boy named Kuma, painted on the Hammond Building.
Mural of a lion painted on the back of the Fleet Galleries building. Signed in white by Cash Akoza.
Mural painted on an apartment parking lot barrier.
The title of the mural reflects the time when the Westbank building casts a vertical shadow on the site, depicted by the vertical marker in the mural. The work functions as a time capsule sun-dial; an “oblique map” that orients the artwork to the sun at that exact date. In coming years, viewers can check, on the same month and day, how the spot has changed in relation to the sun and surrounding architecture.
In this mural, artist Alex Stewart seeks to break up the grey monotony of the modern cityscape by covering it with the vibrancy of nature. By introducing colourful organic shapes on a sleek, minimalist building, Stewart hopes to spark conversations around preservation of nature in urban environments.
This mural was painted by THRIVE, a collective of female, non binary, and gender fluid visual artists from around the world. The mural captures the duality of beautiful experiences, and how to embrace the difficult emotions. Without rain, there aren’t any flowers, and without hard work, there aren’t any rewards.
The mural depicts four distinct female mermaids in progressive stages of rest and movement. The aquatic life and sea elements are meant to show the awareness of the ocean on the Pacific Coast, as well as provide a setting of transformation. The collaboration between the artists is shown through the interactions of the mermaids on the mural, as a symbol of the female cooperation that brought this mural to life.
Cunningham is a Portland-based artist whose work has been exhibited internationally for the last 20 years. His art deals with themes of environmental degradation, skateboard culture, gentrification, contemporary Indigenous identity and rights. Mostly working with large format murals, Cunningham also uses film and sculpture as mediums, drawing inspiration from his cultural background as a member of the Colville Tribe.
Portland-based artist Toilet Snake painted this skateboarding and pop art-inspired mural for the inaugural Vancouver Mural Festival in 2016, drawing on the rebellious attitude of the adjacent Anti-Social Skateboard Shop to capture the bubbly yet chaotic aesthetic style of 80’s and 90’s skateboard culture.
This mural was the artists first collaboration with goal of blending two distinct styles into a cohesive, hyper-stylized mural. The combination of abstraction, organic shapes, bold colours, and the human form blend the two visions into a singular vision.
Artist Siobhan Joseph from the Squamish Nation was inspired by her late mother, the matriarch of her family, who was outspoken, who protested, and loved children. Joseph had a vision of a woman standing in a welcoming pose, with a man and elder woman on either side representing the men and elders of her community supporting her. The matriarch is depicted wearing red to honour the Missing and Murdered Indigenous Women (MMIW) and situated in the natural landscape of the land, mountains and sea, to represent connectedness.
A partnership between the Vancouver Mural Festival, Nicola Wealth Real Estate, and The Narrow Group to transform an iconic Vancouver motel into a temporary art space, landmark, and community event venue before the site is redeveloped. Three artists with different styles collaborated to transform the motel into a single mural stretching across the exterior of the building which now houses artist studios.
The content’s positive/impactful in a way it isn’t direct. Art is healing through form/flow/colour/aesthetic all subjective to the artist. Im going to leave perspective on current multi-generational reality that impact communities and people worldwide. It’s bright side as strong as I can express it through my style and spirit: through the art of our culture. Homes, (healthy functioning homes) are safe, sober, clean, strong and productive…loyal, nurturing and unified, (like this design.) A lot of people lost that from their lives. The house design-split-eagle-box represents everything negative and positive, balancing negative/positive spaces and opening up with the guidance of eagle reveals the movement of spirit bringing healing and nourishment to soul.
19 Indigenous artists between the ages of 9-55 created 19 murals in a series titled “Our Stories.” Positioned on the exterior wall of Scotia Square, each mural is unique and tells its own story. These murals were created over the span of five workshops.
The barriers at Winnipeg’s famous intersection Portage Avenue and Main Street were painted for a project titled “Pulse.” This title refers to what all individuals have in common, no matter their ethnicity or background. The artist took inspiration from those who passed through the intersection, which reminded him of the tradition of weaving. This multi-cultured practice is reflected in the design of the mural in the various diagonal lines.
Halifax-based artist Dan Burt created this large scale mural for the 2022 Halifax Mural Festival. “Memories of Quinpool” features beloved and departed landmarks such as Video Difference, Hogie’s Steakhouse, and the Oxford Theatre.
This mural was a part of Astum Api Niikinaahk, an Indigenous-led housing project at Circle of Life Thunderbird House, the goal of the project to end and bring attention to homelessness. Five Indigenous artists were invited to create public art for the new housing site.
This mural was a part of Astum Api Niikinaahk, an Indigenous-led housing project at Circle of Life Thunderbird House, the goal of the project to end and bring attention to homelessness. Five Indigenous artists were invited to create public art for the new housing site.
The concept of connection was on the artist’s mind – how are we more connected now than ever? How are we disconnected? How can we connect to one another through helping?
This mural was a part of Astum Api Niikinaahk, an Indigenous-led housing project at Circle of Life Thunderbird House, the goal of the project to end and bring attention to homelessness. Five Indigenous artists were invited to create public art for the new housing site.
This mural was a part of Astum Api Niikinaahk, an Indigenous-led housing project at Circle of Life Thunderbird House, the goal of the project to end and bring attention to homelessness. Five Indigenous artists were invited to create public art for the new housing site.
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