Indigenous Relationship with Nature
Aurora Bell Box mural by Stacey Kinder & Jennifer Messon as a response to Call to Action #83 from the Truth & Reconciliation Commission Report.
Mural Locations
Aurora Bell Box mural by Stacey Kinder & Jennifer Messon as a response to Call to Action #83 from the Truth & Reconciliation Commission Report.
Aurora Bell Box mural by Joaquin Varela & Annwin Manitowabi as a response to Call to Action #83 from the Truth & Reconciliation Commission Report.
Aurora Bell Box mural by Jill Sciberras & Ren Lonechild as a response to Call to Action #83 from the Truth & Reconciliation Commission Report. From Ren Lonechild’s instagram: “We created an image of Mother Earth telling a story of the creation of Turtle Island and the spirits who watch over it.”
Bell Box mural by Atessa Hooshvar & Sharon Rigby for the “Truth & Reconciliation” initiative located on 11 Mosley St. “A woven tapestry of indigenous and non-indigenous art.”
Bell Box mural located in Aurora by Sherlyn Hu & Ren Lonechild. From Sherlyn’s Instagram: “I’m honored to complete a Bell Box Mural with the talented @renlonechild bringing together a storytelling of Indigenous and Chinese cultures. Ren’s story depicts the sharing of knowledge from Mother Earth. Sherlyn’s story speaks to the inter generational love through symbols like a warm bowl of soup, set against Mid-Autumn festival when we celebrate family reunion.”
This triptych was commissioned by the late Jim MacLeod, a beloved pharmacist and town councilor. Two founders of Visual Arts Nova Scotia, the late Alex Gigeroff and the late Hugh Eamon, created this mural to commemorate Yarmouth’s community members and spirit of connection. The mural is located on the wall of the Pharamasave, overlooking Jim MacLeod Square and the Art Gallery of Nova Scotia.
Funded by the Town of Yarmouth’s Mural Grant Program and property owner Richard LeBlanc, Danielle Mahood painted this mural inspired by a postcard of Yarmouth’s waterfront from 1900.
Heritage mural on panel for the town of Lucknow by Rachel Simpson, completed 2021. Township of Huron-Kinloss.
Heritage mural dedicated to hockey player Paul Henderson by late artist Allen C Hilgendorf, restored by Ruth Hurdle in 2020.
Memorial mural for Kevin Newman by Madelyn Eybergen, 2022. Located at the Bruce Botanical Food Garden.
Collaborative mural by TONER & Alex Kwong for the City of Guelph Main Street Revitalization Initiative, 2019.
Interactive mural of a monarch butterfly on panel for downtown Guelph’s Main Street Mural Project, supported by the city of Guelph and Amo Policy. The monarch is tribute to pollinators and a nod to Guelph’s nickname “The Royal City. By Sandy & Steve Pell IG: @pellvetica, 2019.
35’x15’ mural in aerosol & exterior latex by Blazeworks, 2020. “This mural explores the feeling of summer time that can be emphasized while enjoying ice cream. It depicts my sister daydreaming about plants in bloom, birds chirping and warm weather before eating her frozen treat.”
10’ x 50’ aerosol mural by Blazeworks for downtown Harriston. Mural encompasses a variety of different sports and teams throughout the Minto area.
Private commission mural of the tree of life in gilded faux bronze with found objects applied to the tree. By Paul Morin, 2020.
Updated in 2023 by Nova Scotian artist Danielle Mahood, this mural welcomes visitors to Yarmouth in English, French, and Mi’kmaw. The mural features beloved Nova Scotian iconography such as lupins, a lighthouse, a fisherman and a rocky shoreline.
Located at the corner of Main Street and John Street, “Legacy of the Sea” depicts various scenes centered around Yarmouth’s historical connection to the Atlantic Ocean. The mural features artistic renderings of boats, photographs of heritage sites and a fisherman at the wheel of a boat.
Painted prior to 2022, this mural by Nova Scotian artist Brian Porter is located on the Killam Brothers Coal Shed at the Yarmouth Wharf. This mural depicts a ship besieged by waves and a storm overhead, paying homage to Yarmouth’s nautical history and present day connection to seafaring and shipping.
Local artist Danielle Mahood created this mural for Waterview Marine Supplies in partnership with the Yarmouth Façade and Mural Society.
Danielle Mahood’s portfolio can be found at her website: www.daniellemahood.com and Instagram: @danielle.mahood.artist.
This mural was created as part of the Nelson Beautification Project with The City of Brampton. The project included three murals throughout the downtown core including this one at The Downtown Brampton Transit hub that transformed the space with a vibrant artwork that injects colour, love and creativity into the daily commute.
This mural commemorates those who have served and died in the in Army, Navy and Air Force. To the very left, a poem titled “For the Fallen” is being held. Next to this is Edith Anderson, who was an Indigenous woman who served as a nurse in World War I. She holds a fallen soldier. Sargent Tommy Prince is seen to the left-centre, an Indigenous war veteran who served in both World War II and the Korean War. To the right, Air Force pilot Russ Bannock and a female ATA pilot, seen studying the operating manual. On the right side of the mural, stands Hampton “Hammy” Grey, a naval pilot and a Canadian Wren, who bears the flag of the ANAF Unit 60.
The imagery within this mural is a continuation of Ten Yetman’s recent art of creatures from another world. It focuses on two tiger-like beings who have been brought to a new planet. They have evolved and adapted to their new surroundings, developing two noses and mouths, yet they still exist together on the planet in harmony. A lot of Yetman’s recent work has been inspired by Science Fiction moves of the 1960s and 70s. Filled with bright, fun, and mystical motifs, Yetman hopes people feel a charge of happy energy and inspiration when they see this mural.
Both the images and sound work exist synergistically, centered on ideas of intra-actions, entanglements, enfoldings and assemblies. The image informs the language and the language is built from the image. Each image was constructed based on the conceptual framework of the Anishinaabemowin, being an agglutinative language, is built upon the fragments of other words or morphemes. This lends itself to an incredibly rich framework from which the speaker can precisely and eloquently express and manifest a complexity of worlds. The fluidity inherent in the language forms a critical method from which to consider the cyclical process of assemblies/[dis]assemblues and [dis]memberments/ rememberances. That is, the space and movement between these spectra are the generative spaces that inform this work.
Mural on corrugation for Lake Huron Fishing Club by Scott Taylor, 2001.
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