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On Inner City Brewing back alley wall
Part of YYC BUMP (Beltline Urban Murals Map)
Sponsored by TD Canada Trust
Whimsical art is a vibrant and playful style of art that is childlike and carefree. It is characteristically (but not necessarily) bright, colorful, and fun.
On Inner City Brewing back alley wall
Part of YYC BUMP (Beltline Urban Murals Map)
Sponsored by TD Canada Trust
On side wall of The Camera Store
Part of YYC Bump (Beltline Urban Murals Map)
Sponsored by TD Canada Trust
Illustrative design of a floating figure in a space suit saying “Hello!”
“The revenge of the killer koala… sneakily disguised as Mr. Hipster, he was going to reclaim his territory and regrow his family’s traditional forest..! This is his portrait of right before it all went down!”
This piece was created in collaboration with both Kayla Bellerose and Mackenzie Brown. The portrait of Amy wearing a buffalo robe is a recreation of an original photograph by Yamuna Flaherty, a photographer and friend of Amy’s. The circle behind Amy’s portrait is the sun with 7 beams of light representing the 7
Sacred Teachings of Truth, Honesty, Respect, Humility, Love, Wisdom, and Courage. Amy Willier embodied these teachings with the way she lived her life with family and community. The symmetrical butterflies represent the transformation of coming from darkness into light, and we chose the colour orange to honour
the children being found at unmarked mass graves in residential schools across Canada, and green to honour the intergenerational healing of our future generations. Amy advocated for Orange Shirt Day for years, so we know that she is now a helper in the spirit world bringing home the children who never
made it back to their family.
“The bull is the representation of strength and fertility, with a masculine energy. But to balance this, there is a woman that since the beginning of humanity is also a representation of strength and fertility. I wanted to show that within everything, there is a unity of two “opposites” a little bit like yin and yang. There is always feminine within masculine and vice-versa. On another level, this woman is carrying a bird mask. The bird is the animal that is ruling over the sky, the air, that is the spirit. The bull and the woman have the opposite energy but are marching in the same direction. The bull also has decorative paint, like if he was going to be part of a magical ritual, maybe a sacrifice. But what is important is that this bull and this masked woman are part of the same cycle, they are unified, they are life and death, fertility and desert. They are opposite and the same. Opulence and soul.”
A mural that took 14 days to paint, Pandora’s Snail looks like a page from a timeless storybook you could get lost in. Rich blues and pink adorn the cerebral clowns on Kayla’s canvas, between whom sits an ancient snail. What secret’s loom inside this snail? What stories do these characters bring to the Beltline? Inspired by the Cirque du soleil show KOOZA, Kayla says “The mural is about two curious but mischievous clowns about to open Pandora’s snail to release chaos onto the world. The snail is a slow moving creature making it easy to catch and open with the key. The mural uses costumes and motifs from KOOZA to tell a brand new story created by MILKBOX.
Freehand painting of a six-story-high, whimsical mural on 17th Avenue. It depicts the personal baggage of how an average person lives with everyday.
Ola’s female characters symbolize empowerment – they carry a message of liberation in a world without prejudice where people are free to choose their own path. The characters take up large walls, occupy public spaces and inspires everyone to take their own leap. Ola’s hope is to connect people with this Mural through its folkloric aesthetics, as folklore itself is a universal visual language.
‘Harbinger’ features a rider astride their mount, hurtling toward the viewer – and the future. Behind them, the path of time stretches out toward the horizon line, where the sun is perhaps
setting, perhaps rising on a new day. The moon, in phases, hovers high in the sky. The rider passes beneath the arch of a tree grown into a circle, framing their flight, but also
symbolic of passing through rings, crossing thresholds. We too, are constantly in the path of change, facing down challenges, old & constant injustices, global disasters as well as personal ones. Once we receive a message of portent, how can we step through to meet what’s next?
The design creates a moment of dream-like calm and rest in a busy neighbourhood.
Text taken from maryhaasdyk.com
Yasaman leaves the Beltline with a colourful new wall that celebrates our natural habitat. Bringing together the cold and hot seasons in one canvas, our muralist joins them both together through our messenger of good luck sitting upon a crescent moon. Dreamy, whimsical, natural and vibrant this mural evokes a sense of wonder and positive energy.
Mixed Media mural for Sensei Bar.
“New Paradigm” is a simple representation of the natural evolution of life through the use of abstract realism.
The vertical composition brings the viewer through time as they scan the mural from bottom to top; seeing the mural transition from a flower bud to a flower at full bloom and then to a hopeful woman gazing into the future.
Text taken from yycbump.ca
A semi-finalist in Mural Fest 2K7, this mural brings up the ideas of peace, environmental protection and gender equality. It depicts two different ways in which women are perceived, one way is more neutral while the other is more sexualized. It also shows the ways in which women can be a major force in our journey to a more peaceful, and equitable society.
Artist Statement: ““We’re still here” depicts an illustration created with the focus of sharing artwork that can be recognized by other Indigenous people through the use of Cree syllabics; a writing system used to depict Cree dialects. With the help of their mother, Diana Morrisseau, they had both decided on the phrase nitayānān kīyāpic ōta which in Cree translates to “we’re still here,” as a sign that indigeneity and indigenous artists/voices are still prevalent in today’s society. The image uses floral designs and patterns to display reciprocity and interconnectedness at the suggestion of their mother due to how important and integral floral designs are presented in indigenous beadwork, especially among Métis artists. By including floral designs in the artwork, it is also a way for them to show solidarity towards their ancestral background as a Métis and Cree artist.”
Located on their garage, facing the bustling street of Davenport, is an artistic interpretation of the family who lives there. As lovers of animals, nature and adventure, this whimsical mural captures their spirits, recreating the three of them as a whale, octopus and mermaid having the time of their lives on a canoe trip.
Completed: July 2023 I am inspired by the trails, conservation areas and proximity to the Credit River that Halton Hills residents enjoy. These spaces provide spectacular experiences for its human population and contribute essential habitat for native wetland flora, fauna and migratory species. Titled Wild Water’s Edge, my Bell Box mural design is meant to echo…
Created to celebrate the life of Jumbo who became an icon in our city. Sbu one approached this mural as if it was a mausoleum for Jumbo to rest. The bell around Jumbo’s neck is a symbol of honour as it is like the one that sacred elephants wear.
“Playfully Jumbo” Is set in at Waterworks Park were Jumbo can be seen and enjoyed by adults and kids alike. The warm colours are a view of love and connection against a grey wall that reads as inviting and playful. With a couple simple elements like a hidden mouse and the bubbles coming from his trunk Chris wants people to not only see it as a piece about Jumbo but little hints of what we know about all elephants.
Found behind the old storefronts of Talbot Street find this vibrant and lively mural connecting to the market space of the Horton Farmers’ Market. Food is something that binds us together and is celebrated the world around, find that connection and vibrancy when visiting this mural!
A Jumbo inspired mural completed by the talented Laura Woermke, a local artist and Executive Director of the St. Thomas-Elgin Public Art Centre. Find Laura’s masterpiece at the Joe Thornton Community Centre, looking sharp on a red brick backdrop and reminiscent of her popular style of landscape painting!
The mural is inspired by vintage postcards. These “Greetings From” postcards usually consist of text in a bold font, with imagery of that location within the text. I pulled various landmarks and imagery that relates to St. Thomas to populate the text within this mural, while approaching the design in a more modern and exciting way.
“Amusements” is an art installation celebrating the fairs and festivals throughout the history of St. Thomas. Tattooed in a bingo card, this elephant depicts the Lockes Fair, the Iron Horse Festival and the St. Anne’s Fair.
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